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A trio of exhibitions that feature eccentric views of men and women opens on Monday, Jan.17, in the Emerson Gallery. On view through April 3, they include paintings, drawings and photography. The exhibitions and associated events are free and open to the public.
More ...Visiting Assistant Professor of Art Cynthia Tower engaged a few students in a project to transform the snow-covered tables in the KJ/McEwen courtyard into a confectionery illusion. Artists included Andrew Quinney '11, Andrea Wrobel '13, Rem Myers ’11, Julia Wilber '11, Amanda Pichardo '14 and Michael Arroyo '14.
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Hamilton Makes Art 2, an online and live auction of works of art by Kirkland and Hamilton College alumni, is currently under way. Half of all proceeds will benefit Hamilton’s Bicentennial Initiatives Arts Facilities Project which will fund the construction of a new museum, theatre and studio art facility.
More ...Ten senior art concentrators along with art faculty traveled to New York City from Nov. 4 through 6 to visit the studios of internationally acclaimed artists. Painter Alexi Worth, Daphne Fitzpatrick, Ann Agee, Judy Fox, Blane De St Croix, and painter/printmaker Jane Hammond offered students insight into their artistic practice and studios. The Dietrich Foundation and the Kirkland Endowment supported this event.
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Christopher Russell, visiting assistant professor of art, opened an exhibition titled “Runaway” on Oct. 23 at the Luis De Jesus Los Angeles Gallery. The exhibit is on view through Nov. 23
Associate Professor of Art Rebecca Murtaugh is exhibiting in New York City in The Other End of the Line, a major public art installation addressing the connections and differences between the cultures of upstate New York and New York City. Inspired by the freight train High Line's history of transporting goods from upstate New York into New York City, Francis Cape will transport a previously-occupied residential trailer from Sullivan County, N.Y., to Gansevoort Plaza under the High Line.
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On Monday, Oct. 4, nine Buddhist monks from the Gaden Shartse Monastery in Southern India performed an opening consecration ceremony of sacred dance and chanting in the Emerson Gallery atrium before beginning their creation of a sand mandala of compassion. This ancient tradition is a reminder of the Buddhist concept of impermanence.
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