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John Myles ’24 has now spent two summers in Utqiagvik, Alaska, a small city in northern Alaska with a dense and unique shorebird population. As part of a U.S. Fish and Wildlife Service research team, he searched for shorebird nests, monitored chick hatches, and tagged adult birds.

Olivia Davis ’23 is an asset management operations summer analyst at Goldman Sachs. As she unravels financial information, she learns the nuances of fixed income insurance and bilateral products. They’re complicated concepts to understand — and even more complicated to manage — but she appreciates the challenge.

“The home” cannot be defined by one thing. As a place of significance to billions of people, it takes on different meanings in different contexts, transforming walls and floors into a dimensional concept that is ripe for philosophical study.

The world of chemists can be broadly divided into three groups: molecule modelers, measurers, and makers. Max Majireck, associate professor of chemistry and director of biochemistry, is a part of the third group. As he works to synthetically construct molecules, he lets new chemical developments guide him to discoveries with medical potential.

Many economists agree: like any form of price control, rent control programs are a bad idea. But Alan Zhao ’23 is not like most economists.

Mia Horvath ’25 has always been interested in the arts, but it wasn’t until she arrived at Hamilton that she began considering an art-related career.

The existential themes of love, death, and time were explored in the AI-scripted and human-performed musical production Channelers, an interdisciplinary art project funded by the Dietrich Inchworm Grant and headed by Assistant Professor of Digital Arts Anna Huff.

“A lot of the research I do on self-control is focused on the preschool age range,” White said. “If we are going to create interventions to build children’s skills, we want to do it while the prefrontal cortex is developing the most.”

Jack Riffle ’12 was teaching in New York City when the reality of the climate crisis hit. It was something he’d recognized for years, but it was no longer something he could ignore.

As Fiona Murphy ’23 creates her comics, she pulls her mental state into the physical world. Each blurred line or harsh impression is purposeful, constructed to evoke a certain psychological experience: gender dysphoria, body dysmorphia, or sleep deprivation.