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  • Maurice Isserman, William R. Kenan Professor of History, was interviewed about the anti-war protest held in Washington, D.C. According to Voice of America, the estimated crowd of 100,000 is believed to be the largest protest of its kind since the Vietnam War era. Isserman said, "It was a very impressive turnout, especially given that the shooting hasn't started yet. By comparison with the 1960's, it wasn't until the war was going for two or three years before you saw as many as 100,000 people turn out for a single demonstration."

  • Hamilton College will host a panel discussion, "U.S. Politics Post 9/11," on Monday, Nov. 11, at 4 p.m. in the Hub at the Bristol Campus Center. The panel is part of The Excellence in Education series, brought to Central New York as a special collaborative project of the local institutions of higher education. Participants will include Utica College Associate Professor of Communication Arts David Habbel, Hamilton College Associate Professor of Government Philip Klinkner, and Visiting Instructor of Government Kristin Campbell. The panel discussion is free and open to the public.

  • The Hamilton College Department of Theater and Dance is proud to announce its fall production “Romeo and Juliet ‘02,” William Shakespeare’s classic love story told with an urban edge. Directed by Professor Mark Cryer, this fast-paced production is set in 2002 Brooklyn and features multi-level staging, a hip-hop soundtrack, and a cast of characters straight off the streets. The Prince is a DJ, the Chorus girls are streetwalkers, and the Capulets get down to disco. One thing is clear: This is not your parents’ Romeo and Juliet. “Romeo and Juliet ‘02” will be performed on Thursday-Saturday, Nov. 14-16, at 8 p.m., and Wednesday through Saturday, Nov. 20-23, at 8 p.m. There will also be a matinee performance on Saturday, Nov. 16, at 2 p.m. All shows are in Minor Theater.

  • The Hamilton College Performing Arts continues its Contemporary Voices and Visions series with a performance the Limón Dance Company on Friday, Nov. 8, at 8 p.m. in Wellin Hall on the Hamilton College campus. This performance is a project of the Mohawk Valley Dance Partnership, which includes the Munson-Williams-Proctor Arts Institute, Hamilton College and the Central New York Community Arts Council Arts in Education Institute.

  • California State Professor Victor Davis Hanson will present a lecture, "Ancient Wisdom and the Present War," on Friday, Nov. 8, at 7:30 p.m. in the Hamilton College Chapel.

  • This article focused on the study "Democracy Spoiled" co-authored by The Civil Rights Project at Harvard and Philip Klinkner, James S. Sherman Associate Professor of Government.

  • Maurice Isserman, William R. Kenan Professor of History, wrote an essay on Fort Ticonderoga, "The Vagaries of Memory" which was published in A Certain Somewhere: Writers on the Places They Remember (New York: Random House, 2002). The essay originally appeared in Preservation magazine, March/April 2000.

  • Associate Professor of Art Steve Goldberg gave a lecture titled "The Tacit Dimension of Classical Chinese Thought and Traditional Chinese Painting" at the National Endowment for Humanties-sponsored public lecture series held at the University of Alabama, Huntsville on Nov. 1. He also gave a lecture titled "Remapping Identities: Globalization and Contemporary Chinese Visual Culture" at Belmont University, Nashville, Tenn.

  • "polarities undone," a collaborative piece created by Associate Professor of Art Ella Gant with Kyle Kyrnitszke, was on exhibit at the Alyce de Roulet Williamson Gallery at Art Center College of Design in Pasadena, Calif., as part of Exit Art's exhibition "Reactions." "Reactions" has become part of the permanent collection of The Library of Congress in Washington, D.C. Selections from "Reactions" were shown Sept. 7 - Oct. 26 in The Library of Congress' Great Hall exhibition, "Witness and Response: September 11th Acquisitions at The Library of Congress" in Washington, D.C.

  • Professor of Comparative Literature Peter Rabinowitz wrote the (guest) editorial that opens the November issue of International Record Review.

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