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Author Nguyen Highlights Issues of Identity, Representation


The Hamilton community warmly welcomed Pulitzer Prize-winning author Viet Thanh Nguyen on April 9 as part of the Winton Tolles Lecture Series.

A group of students and faculty members joined Nguyen for dinner in the Philip Spencer House to talk before convening in the Chapel for his presentation titled “Refugee Stories and American Greatness.” Throughout the talk, Nguyen emphasized the importance of understanding the complexity of identity and increasing representation in the field of literature.

“People like me are often invisible for the most part when it comes to literature,” said Nguyen. “We are only ever seen to be unseen. The problem is not that we are voiceless, it is that we are not being heard.”

Originally from Viet Nam, Nguyen came to the United States as a refugee with his family in 1975 after the fall of Saigon when he was only 4-years-old. Problems regarding race, representation, and social conflicts are often highlighted throughout his work, reflecting his life as a Vietnamese-American novelist.

Nguyen recalled being conflicted as an adolescent while watching Apocalypse Now, an American war film about the Vietnam War.  “I was rooting for the American soldiers throughout the movie until I saw them killing Vietnamese people,” said Nguyen. “I was split. Was I American or Vietnamese? It was an impossible situation to find myself in.”

With his New York Times best-selling breakthrough novel The Sympathizer, which was awarded the 2016 Pulitzer Prize for Fiction, Nguyen highlighted this intersectionality of identity in America. His other two books, Nothing Ever Dies: Vietnam and the Memory of War and Race and Resistance: Literature and Politics in Asian America, are also explorations of racial and social identities.

“There (are) a lot of problems with under- and mis-representations being put out into the world,” said Nguyen. “These sorts of things can and do cause a lot of harm, so there’s a great urgency when it comes to improving representation. We need more stories, we need more voices, we need more representation.”

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