Effective Assignments: Writing Tutor Feedback to Faculty
• Model clear writing by composing clear assignments. Give particular attention to how you compose the assignment for the first paper.
• Clearly identify your goals for the assignment. For example, make clear if you expect students to argue a claim—to take a position on a topic—or to explain aspects of the topic.
• Allow for discussion of the assignment—in class, office hours, or email. The best assignments arise out of larger conversation between you and your students.
• Specify the assignment audience; a paper written to other students in the class differs from a paper written for readers not in the class.
• Share good or poor responses to the assignment (save examples when grading).
• Communicate grading criteria and basic expectations for the assignment: length, documentation method, appropriate sources, ….
• A string of questions that appear to be of equal importance can be confusing. Students aren’t always able to separate key questions from sub-questions; some students may use a list of questions as an excuse to avoid formulating a thesis statement. Related to this point: Students need to know how to handle sub-questions. Is their purpose to stimulate thinking but students do not need to address them? Or will students lose points if they fail to address them?
• If you give ‘design your own topic’ assignments, have students focus their topics before writing—preferably by clearing topics with you.
• Avoid asking students to write for a specific publication or audience that may be unfamiliar to them (e.g., write an article for Esquire). Or—provide a model of what you are looking for.
• Avoid dictating a specific structure. Students will learn more about the topic and their composing process, and will think more independently, if you let them discover a structure.
• Rather than specifying a precise word count, suggest a lower/upper word or page limit. Precise counts may distract from the goals of the assignment and shut off the thinking at an important point. A writer’s best insights often occur late in the first draft. 1/12